![]() ![]() It is an example of mechanical means to produce a strong system of control, and has a place in competition riding when used by sympathetic hands. Ideally, the cheekpieces should have a stopper fitted to limit the upwards action of the bit, and a second rein used on the bit rings so as to employ the gag action only when necessary. The severity of this bit is governed by the nature of the rider’s hands and is in direct ratio to the competence of the rider. Have a look at a polo player with a running gag, standing martingale and more, to see how the lines and pressure forces can be altered.) (Adding martingales, tight nosebands, etc. The action of the gag is almost entirely on the horse’s lips, though there is some very mild poll pressure, with little or no tongue or bar pressure. When rein pressure is applied, the bit runs along these cheekpieces so as to draw the mouthpiece upwards in the horse’s mouth. When using a gag, the cheekpieces of the bridle run through holes in the bit rings directly onto the reins. ![]() In very simple terms, a running gag is accentuating the action of a snaffle. It creates this by increasing pressure on the corners of the lips, asking for the horse to raise his head. ![]() Bitting expert Anita Marchesani breaks it down.Īs we discovered in last month’s blog, the Dutch Gag is not a gag, but really works as a leverage bit, thus creating a head-lowering effect.Ī true Gag bit has a head lifting action. Understanding the function of the gag bit is a good first step in deciding if it could be a good fit for your horse. ![]()
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